光幻之墟

4. Elizabeth Hand: the most poetic virus to re-write a mythical alter-me




★ a series of SFFH hybridity: Winterlong, Aestival Tide, Icarus Descending

● the diabolic other（devil embodiment） is the “me” turned within a mutated
form of flesh (Hell personification) of the representational, pseudo-subject I:
the dialectics of a transgender “I” and his/her alter-ego as “me” (the boy
in the tree)

● a science fantasy’s product of a GOD/Ding beyond scientific control

● re-writing the world in a primal signature: the narrative of the psychotic,

● a Bataille-esque excess being incarnated in humanoid, uncanny forms
it’s a queer sex, both phallic and menstrual, dominated by anal/clit pleasures
atrocity characterized by artificial and bestial brutality
（feminine writing＋queer masculinity in its richness）

● 「空眼瞪視者」（the Gaping One）既是主角的我之異己（the Other in me），也是經由後末
世科幻小說、電腦叛客文類（Cyberpunk Genre）生養而出的超位元機體神格，體現出難以捉摸、
定格於象徵秩序界的真實層（the Real）

● 玩弄遺傳因子、將肉身∕性別∕情慾等系統拆碎重塑，零件化了原先不可能被拆解的主體，「人類
基因工程實驗室」生產出後拉崗精神分析理論會命名為「海市蜃樓，小欲求夢幻物」（
phantasmagoria，objet petit a）的化身





★ 降神三部曲：Waking the Moon, Black Light, Mortal Love

● 魔∕物為自己創作物質形式（基地）：象徵體系等同於畫布（與畫框）

● the Demonic clitoris-as-phallus copulating with a goddess’ genital-turned-Hell

● 操作系統（學院）生養出量身訂做的神∕怪物：
epitomize a post-modern queer/sexual politics forged by institutional
nourishments

● 性別政治與諸神廝殺：認同（跨界）與身分（本格）的征伐
父神系統Benandanti（道統） V.S. 母神異教Malandanti（原欲）

● The uncanny（Mortal Love）, the queer-celebrity（Black Light）, the femme
fatale as retribution：phallus (embodied) as figurine（Waking the Moon）

● 神的教養紀事（非本質論亦非建構論）：
不可捉摸的本色，比記憶更穿透性，比基因更恍惚難以定格
揀選，孕育，設定，en-coding the god by His/Her primal reminiscences
empathetic supernatural Personhood, channeled not by memory or biological
essentiality, but a palimpsest in endless imprinting（羊皮紙複寫位格）